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Showing posts with label Syracuse Stage. Show all posts
Showing posts with label Syracuse Stage. Show all posts

Saturday, February 26, 2011

Theater Review: "Radio Golf" at Syracuse Stage

When I spoke to Timothy Bond, Richard Brooks and G. Valmont Thomas, the director and actors (respectively) of "Radio Golf" at Syracuse Stage, I asked them: "Why do you think that the original production was not as successful?"

Brooks answered with "Because we didn't do it."

And indeed, it's obvious this production of "Radio Golf" is rendered with love and reverence for the late August Wilson, who died in 2005. "Radio Golf" was his last play and he had died before it opened. It is also the last play in his "20th Century Cycle" and thus contains refrains of the prior works.

"Radio Golf" details the conflict between the African-American middle class and the lower class, of the tragic sundering of ties. Wilson believed, as it says in the program for "Radio Golf," that those who were able to rise up from poverty should try to help the community they came from. This viewpoint is apparent through the main character, Harmond, who is in conflict over this very issue, in his attempts to become the first Black mayor of Pittsburgh.

Thursday, October 28, 2010

Theater Review: "The 39 Steps" at Syracuse Stage



Gasp. It’s a political scandal. Ohh… It’s an unsolved murder. Ahh… It’s the slow caress of an ankle. Quick! It’s on the run.

It’s (pause for effect) The 39 Steps (cue dramatic music).

Read more at the Newshouse...

Monday, September 27, 2010

Theater Feature and Review: "No Child..."


There is a moment in No Child…, the first play of Syracuse Stage’s 38th season, when main character Nilaja sits alone in a chair, lit by a single spotlight. She ponders the deficiencies of the American education system, which has led to apathetic, unqualified teachers and uninspired, underachieving and even cruel students.

“But I chose to teach in my city, the city that raised me, and I'm tired,” she says, visibly drained and frustrated. And that is the central message of No Child..., laid out clearly.

The play, written by Nilaja Sun, focuses on a teaching artist who has to find a way to intellectually engage a group of 10th graders at the fictional Malcolm X High School. She does so by making them analyze, rehearse and perform a play by Timberlake Wertenbaker, Our Country’s Good.

And because she is giving this assignment to a group of teenagers, naturally, there would be a Justin Timberlake joke. It’s the humorous moments like this that gives the play its authenticity.

Read more...

And here is the profile on the actress, Reenah L. Golden.