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Showing posts with label Off Broadway. Show all posts
Showing posts with label Off Broadway. Show all posts

Tuesday, January 11, 2011

Theater Review: "John Gabriel Borkman" at the Brooklyn Academy of Music

It is winter and a storm is raging. Unfortunately, this one is located not outside but inside. “John Gabriel Borkman,” now playing at the Brooklyn Academy of Music, takes place on a set where no walls separate the house inside and the outside snow.

“John Gabriel Borkman” is Henrik Ibsen’s penultimate play and deals with a late 19th century household trapped in a perpetual emotional winter.

Monday, November 22, 2010

Theater Review: "Knock Me a Kiss



Family drama is played for laughs in Charles Smith's "Knock Me a Kiss." A romanticized retelling of the marriage between Yolande Dubois, the daughter of civil rights activist W.E.B. DuBois, and poet Countee Cullen during the Harlem Renaissance, the play traffics in superficial comedy at the expense of complex characters.

DuBois, concerned more with pedigree than love, orchestrates the match for his daughter unaware that Cullen is gay. Yolande, who has an infantile notion of romance, rejects a proposal from jazz-band conductor Jimmy Lunceford, whom she loves, in part to cement her position in society. Of course, the truth inevitably comes out.

Read the rest at Back Stage.

Thursday, October 7, 2010

Theater Review: "Dramatis Personae"


Fiction writing has never been as painful as it is in “Dramatic Personae,” where characters come to life, haunt, sometimes even threaten to stab the author until they finish writing.

That is the situation that the writers within “Dramatic Personae” find themselves in. Written by Peruvian playwright Gonzalo Rodriguez Risco’s and funded by the Playwright's Realm (which produces one work a year from up-and-coming playwrights), the play made its premiere Off Broadway at the Cherry Lane Studio on Oct. 1.

The play follow three writers - Lucas (Felix Solis), Ben (Gerardo Rodriquez) and Marla (Liza Fernandez) - as they try and transform their slivers of ideas into stories, holding weekly meetings to try and develop those ideas, all the while asking the eternal question of any writer: "Where does inspiration come from?" Real life? Some dark recesses of the mind?

This all occurs during the Peru’s political conflict of the early 1990’s, which happens in the background and the audience never sees it, save for the occasional explosion which is treated as a nuisance rather than a catastrophe.

There is a semblance of something achingly like conflict. Yet the title “Dramatis Personae” acts as its own plot summary. It is not a political drama.